20Here is my poem for Day 20:

 

Nightmares end.

Last night’s surreal

Scenes stopped abruptly

Segued into pages

From “The Song of Songs,”

And my love sleeping

In my arms again.

Morning comes with the hush

Of a spring rain, a chill breeze,

And robins and starlings

Vying for attention.

I pull my love closer.

Her head on my chest,

Her dreams in my heart.

 

–Scott Edward Anderson

 

 

4-19-1775-LexingtonHere is my poem for Day 19.

I wrote it in the midst of all the chaos and reports coming from Boston, trying to keep up my spirits and the challenge made to myself for National Poetry Month. And to prove terror can’t trump poetry.

 

I have no words.

I just stare, listening

To the news and don’t

Even know how to ask

Why?

Where is the poetry

In words like manhunt,

Lockdown, shelter-in-place order?

Where is the poetry

In controlled explosion,

on-going situation

person-of-interest?

Where is the poetry

In a world where terror

Takes hold and bites?

It’s in the eyes of my love

And our hands clasped,

Finally reunited and safe

Together, after too long apart

–Scott Edward Anderson

pocket_logo2Here is my poem for Day 18 of National Poetry Month, which is also “Poem in Your Pocket Day”:

 

Is that a poem in your pocket

Or are you just happy to be

Alive and kicking in the teeth

Of the cruel world just by

Your very existence?

The world needs poetry

If only to make sense

Of the senseless, put words

To what can’t be explained,

And say the unsayable.

Me? I carry my poem

Wherever I go and bring

It out to give it to you.

 

–Scott Edward Anderson

 

BStrongHere is my poem for Day 17:

 

 

It is tough to be strong

In the face of another

Senseless act of violence,

The lives and limbs lost

To someone with evil

In their hearts–

Whether jihadist or jerk-off.

Yet we must, we have to be

In order for decency and love

To triumph.

We think our love

Is only between two people,

But in fact it’s a beacon

For humanity that shines,

“Love conquers all things…”

–Scott Edward Anderson

PoetsHouseHere is my poem for Day 16:

 

I never met your father,

But I feel his presence

In your life, on this day

Every year since we met

At Poets House, the tenth

Anniversary of his passing.

We sat by the river,

Two good friends watching

Our kids chase each other

In the playground.

Moments of silence,

Never awkward;

A few laughs.

I don’t know what you

Were thinking then,

Except I know it meant

A lot that I wanted to be

With you on that day,

To help you through it

With poetry and laughter,

The distraction of kids

Playing and eating lunch.

A man who cared

And understood what

This day means to you.

Who cared enough

To seize the day

And pay attention

To the meaning

Of your heart.

 

–Scott Edward Anderson

 

april_15_calendarHere is my poem for Day 15:

 

We are better together.

But you knew that,

Didn’t you?

Why do the miles

Seem so much longer,

The days much darker,

When we’re apart?

Nights, too, especially

The nights–interminable.

Turning both of us, strong,

Independent in so many ways,

Into lost souls who just want

To get back to our source.

Silly, really; it was just four days.

But it seemed ceaseless

And without end, until

I held you in my arms again.

Like an addict, I need

–no I crave–your touch,

your voice, the way

Your eyes connect with mine.

I need your physical presence

Next to me, around me,

Even if just out of reach

Across the apartment,

Like I’ve never needed anyone.

Absurd, I know, but if I’ve

“Got to have one vice,” as

My grandmother used to say,

I’m glad it is you. So very glad it’s you.

 

–Scott Edward Anderson

si14Here is my poem for Day 14:

 

 

No Aurora in this night sky,

I go bed in the wee hours.

Listen to the sound of cars

Fast on Lincoln Drive below,

Almost a river sound,

If not for the roughness

Of the asphalt.

What chance has anyone

Got, with demons like those

In their rear view?

 

 –Scott Edward Anderson

 

lucky-13Here is my poem for Day 13, written at 1:30 AM, proving I’m not always happy:

 

1:30 AM. Can’t sleep.

I don’t like when we fight,

Especially via text, and

Especially about being apart,

Which neither of us enjoys.

I distract myself with old movies

On TCM, and try to forget

There’s still two days to go.

Even Selznick’s “Since You

Went Away,” can’t take me away.

With its sentiment and sorrow,

And the hint of a sappy ending.

Jennifer Jones, whose affair

With Selznick led to husband

Robert Walker’s breakdown,

Playing a teen (at 25), having

To pretend she’s in love

With her ex-husband, not

Her director. (Ah, back story!)

Joseph Cotten’s Virginia

Gentleman not sinister at all,

Showing his range as well as

Limitations. My limitations

Stare me in the face

From the screen —

And from this empty bottle.

While you steam and fume

And try to sleep,

100 miles north.

 

–Scott Edward Anderson

kathleen-Jamie-600x600The past few years I’ve found myself increasingly engaged with poetry from across the Pond, Scotland in particular.

In part, through my appearance in ANON magazine, the “honourable mention” I received in the ESRC Genomics Forum Poetry Competition, and connecting with the Scottish Poetry Library.

My paternal grandfather’s family hailed from the central lowlands textile burgh of Paisley, across the River Clyde from Glasgow, which may explain why I’m partial to Scottish poets. (My Burns’ Nights were famous in the 1990s.) Whatever the case, I’ve found some kindred spirits of my generation among them.

Once such is Kathleen Jamie. Jamie “resists being identified solely as a Scottish poet, a woman writer, or a nature poet,” reads her entry in the Poetry Foundation’s web site. “Instead, she aims for her poetry to ‘provide a sort of connective tissue,’ as she notes in a 2005 interview.”

Her influences include Seamus Heaney, Elizabeth Bishop, John Clare, and Annie Dillard. Quite a foursome, that, and it shows or doesn’t show – rather, it is felt. She takes the powerful language of Heaney, the precise observation of Bishop, Clare’s perspective on landscape, and the natural history acumen of Dillard’s nonfiction.

Jamie’s poems are highly musical – meant to be read aloud, and “attend to the intersection of landscape, history, gender, and language.”

Her latest collection, The Overhaul, was published in the UK by Picador (where another Scottish-born poet of my generation, Don Patterson, is editor) and took home the prestigious Costa Prize.

Here is the title poem from this collection, “The Overhaul,” by Kathleen Jamie:

Look – it’s the Lively,

hauled out above the tideline

up on a trailer with two

flat tyres. What –

 

14 foot? Clinker-built

and chained by the stern

to a pile of granite blocks,

but with the bow

 

still pointed westward

down the long voe,

down toward the ocean,

where the business is.

 

Inland from the shore

a road runs, for the crofts

scattered on the hill

where washing flaps,

 

and the school bus calls

and once a week or so

the mobile library;

but see how this

 

duck-egg green keel’s

all salt-weathered,

how the stem, taller

— like a film star –

 

than you’d imagine,

is raked to hold steady

if a swell picks up

and everyone gets scared…

 

No, it can’t be easy,

when the only  spray to touch

your boards all summer

is flowers of scentless mayweed;

 

when little wavelets leap

less than a stone’s throw

with your good name

written all over them –

 

but hey, Lively,

it’s a tme-of-life thing,

it’s a waiting game –

patience, patience.

##

Jasper

My son Jasper “goofing” at Disney World.

Here is my poem for Day 12 of National Poetry Month:

 

Today, my oldest son is,

Somehow, 17I don’t feel

Old enough to have a son

That age. It’s a cliché, I know,

So I won’t even say it.

Suffice it to say,

I remember

My first talk with him:

Holding him in my arms

In a rocking chair

In Alaska Regional,

The Chugach Mountains

Out the hospital window.

I kissed his forehead,

Looked straight into

His face, and whispered,

“No matter what happens,

I will always love you,

And you will always know it.”

 

–Scott Edward Anderson