My Year in Writing 2025

November 29, 2025

This is the time of year—between my birthday and year’s end—when I take stock of my writing life over the past 12 months. A trend that’s continued this year: I’ve continue to be very Berkshire-focused as we approach the fourth anniversary of our move up here. As I told one of my students at Berkshire Community College this semester, where I’ve been teaching Principles of Marketing, filling in for a professor on her sabbatical, “This is my time to give back and go hyperlocal…”

I’ve also continued to write for Berkshire Magazine—eighteen in total and sometimes as many as 4-5 articles per issue (!), causing me to joke with my editor, Anastasia Stanmeyer, “Do you have any other writers?” In addition to having the cover story in one issue this year, Anastasia generously wrote about me in her editor’s note in the Fall issue accompanied by this photo.

I’m still shopping around my book of essays, The Others in Me: On the Azores & Ancestry, Poetry & Identity, and am building a new series of essays about life on our little beaver pond in the Berkshires, which I’m calling “To Learn Attention: Encounters in the Anthropocene Backyard,” several of which were published earlier this year.

While we didn’t get to the Azores for the second year in a row—something I hope to remedy in 2026—we had a wonderfully inspiring trip to Paris in late March-early April. Overall, it’s been a productive year. Here are some of the highlights:

“A Modern Log Cabin: Industrial Chic Meets Rustic Warmth,” in Berkshire Magazine, Spring 2025

“Betting Big on the Outdoors: Paul Jahinge Leads the State’s Outdoor Recreation Vision” (profile), in Berkshire Magazine, Spring 2025

“Matt Rubiner: An Unconventional Path to Cheese Mastery” (Q&A) in Culture: The word on cheese, Spring 2025

“Ancestral Echoes: Exploring Aracelis Girmay’s An Experiment in Voices,” in Berkshire Magazine, May-June 2025

“Poetic Sweat: Bill T. Jones and His Company Return to Jacob’s Pillow” (profile), in Berkshire Magazine, May-June 2025

Attended MAPS’ Psychedelic Science Conference in Denver, CO, reporting on several future stories and features. (June)

“My Wife Gave Me Magic Mushrooms For My 60th Birthday. It Transformed My Life In Ways I Never Expected,” HuffPost, June 2025 (The response to this piece was absolutely amazing. My editor at HuffPost wrote that something like 250,000 people read it the first weekend it was published, with “an average read time of 2:46 minutes (the site average for a story is 0:40, so to get folks to stay on your piece for close to three minutes is AMAZING and means that most people read all the way through… a huge feat in today’s ‘click in and click out’ digital world).” I heard from people all over the country: people who needed to hear the message of my tory and who now have hope that there’s something out there that may be able to help them. I feel especially blessed to have published this piece this year.)

Psychedelic Healing in Practice: A conversation with Scott Edward Anderson on AdvisorShares’ AlphaNooner podcast. (July) 

The author in Paris, 1987 (l.) and 2025 (r.).

Opinion: Don’t let New Bedford erase its Portuguese soul – “ The proposed closure of Casa da Saudade isn’t just a budget cut, it’s cultural erasure. The library has been the beating heart of Portuguese American identity in one of America’s most Lusophone cities.(Opinion), in New Bedford Light (July)

“A Building That Dances: The Reimagined Doris Duke Theatre Takes Flight,” feature in Berkshire Magazine, July 2025

“A Landmark Farewell: Stephen Petronio in his company’s final bow this summer at Jacob’s Pillow” (Q&A), in Berkshire Magazine, July 2025

“Paul Elie on Literature, Faith, and the Culture of Encounter” (Q&A), in Berkshire Magazine, July 2025

“A Homecoming: Richard Blake Creates Great Barrington’s W.E.B. Du Bois Monument” (profile), in Berkshire Magazine, July 2025

“A Conversation Before the Conversation: A talk with Jayne Anne Phillips ahead of her visit to the Mount” (Q&A), in Berkshire Magazine, July 2025

“Threads of Time: Alvin Ailey American Dance Theater Returns to Jacob’s Pillow After 62 Years” (Cover story), in Berkshire Magazine, August 2025

“The Power of Words: The WIT Literary Festival Returns with a Bold Call for Civic Engagement Through Literature,” in Berkshire Magazine, August 2025

Four essays from “To Learn Attention: Encounters in the Anthropocene Backyard” in La Picciolétta Bárca, August 2025

“From Investment to Impact: Mill Town’s Blueprint for a Stronger Pittsfield and Berkshire County” (feature), in Berkshire Magazine, Fall 2025

“A Recipe for Community: Williams College’s Log Lunch brings people together over food and ideas,” in Berkshire Magazine, Fall 2025

“Making Public Lands Welcome to All: An interview with newly appointed DCR Commissioner Nicole LaChapelle” (Q&A), in Berkshire Magazine, Fall 2025

“Cheesemaking Tradition Meets Innovation in the Azores” (feature) in Culture: The word on cheese, Fall 2025

Featured poet in reading at Hot Plate Brewing Company in Pittsfield, along with Susan Buttenweiser, Anna Lotto, Matthew Zanoni Müller, and Lara Tupper. (September)

“(Take) Home (or Dine In) for the Holidays: Your guide to Thanksgiving Dining in the Berkshires” in Berkshire Magazine, Holiday 2025

“Ice Dreams Really Do Come True: Community, Competition, and Cold Weather Fun in the Berkshires” (feature) in Berkshire Magazine, Holiday 2025

“Giving Back Locally: Supporting Organizations that Strengthen Our Community” in Berkshire Magazine, Holiday 2025

“Driving Community: Berkshire Auto Dealerships are Expanding, Thriving, and Staying True to Their Roots” (feature) in Berkshire Magazine, Holiday 2025

I also started working on a new sequence of poems, “Aquapelagos,” exploring themes of islands as ancestral territories and identity markers. We’ll see where that goes…

And I continued to curate and host the Berkshire Nature Talk Series at West Stockbridge Historical Society. We had four programs this year featuring Nicaela Haig of MassAudubon, Chip Blake on the birds of the Berkshires, Thomas Tyning on reptiles and snakes, and Brian Donohue on building with local forests. The program was funded in part by grants from the Alford-Egremont, Richmond, Stockbridge, and West Stockbridge cultural councils, local agencies which are supported by the Mass Cultural Council, a state agency.         

A productive year. Hope to keep getting my fix in 2026!

—SEA

My Year in Writing 2024

December 9, 2024

This is the time of year—between my birthday and year’s end—when I take stock of my writing life over the past 12 months. A trend I’ve noticed this year is that I’ve become very Berkshire-focused as I approach the third anniversary of our move up here. I see that as a good thing; it means I’m digging into our community more and focusing on what’s closest to me.

I’ve also had the opportunity to explore more magazine writing—features, profiles, and interviews—through my work with Berkshire Magazine, which has allowed me to engage with and write about Michael Pollan, Mark C. Taylor, Camille A. Brown, Forrest Gander, and Ruth Reichl, among others. Thanks, Anastasia Stanmeyer!

And the Azores continues to be a focus—even though we didn’t return to the islands this year for the first time since 2021. We’ll have to change that in 2025! Overall, it’s been a productive year. Here are some of the highlights:

“Seeking My Roots Through a Painter’s Eyes” (essay), in Revista Islenha, Issue 73, in Madeira, Portugal. (January)

Led a writing workshop at Herman Melville’s Arrowhead titled, “Cultivating Deep Attention,” helping participants explore the art of profound concentration and how it can enhance their writing process and equip them with the tools and mindset needed to harness the power of deep attention in their writing journey. Workshop (February)

Launched “Berkshire Nature Talk Series” at West Stockbridge Historical Society with Leila Philip, author of Beaverland, kicking off the program. Featured three more talks throughout the year on birds, bears, and mushrooms. (February)

SEA presenting on Mark C. Taylor at UCSB

“A Philosopher’s Secret Garden: Mark C. Taylor and His Landscape of Ideas,” (lecture/presentation), delivered at “After the Human: Thinking for the Future,” UCSB Humanities & Social Change Center (March)

Featured poet at the first annual Poesia: A Celebration of Portuguese Poetry, Culture, & Fall River Poets, presented by Viva Fall River and Newport Poetry, at the Gates of the City, Fall River Heritage State Park, and the Fall River Visitors Center. (April)

SEA reading at Poesia in Fall River, MA

“The British Invasion: The Royal Ballet Takes Over Jacob’s Pillow,” (article), Berkshire Magazine (May/June)

“Keep on Trocking: Les Ballets Trockadero de Monte Carlo Kicks Off Jacob’s Pillow 2024 Season,” (article), Berkshire Magazine (May/June)

Creative nonfiction mentor, Adroit Journal Summer Mentorship Program, mentored two students for the third year. (June-July)

“Cathy Park Hong: “On Minor Feelings, and writing poetry & prose,” (Q&A), Berkshire Magazine (July)

“Emily Wilson: On Translating Homer—and his lessons for today,” (Q&A), Berkshire Magazine (July)

“A Philosopher’s Secret Garden: Mark C. Taylor’s Landscape of Ideas,” (profile), Berkshire Magazine (July)

“Storytelling Through Dance: Camille A. Brown’s Vision & Voice,” (profile), Berkshire Magazine (July)

Hosted a Poetry booth at West Stockbridge Zucchini Festival where festival goers wrote “zucchrositc” poems – yes, acrostics using the word zucchini! (August)

“Getting Back to the Garden: Michael Pollan’s Long, Strange Trip,” (profile), Berkshire Magazine (August)

“Jennifer Egan: On The Candy House, storytelling, and genre,” (Q&A), Berkshire Magazine (September)

“Every Meal is a Story: A Peek into Ruth Reichl’s World of Food,” (profile), Berkshire Magazine (September)

“Lenox Rising: A Berkshire Town’s Resilience and Renewal,” (article), Berkshire Magazine (September)

Catalog essay for “NEXUS 2.0.1: Contemporary Landscape Paintings by Paul Paiement,” Ethan Cohen Gallery, NYC, October 10-November 23. (October)

“Prayer House,” (poem), Speaking for Everyone: An Anthology of “We” Poems (October)

“Six Poems by Pedro da Silveira from A ilha e o mundo,” (translations), Gávea-Brown: A Bilingual Journal of Portuguese-North American Letters and Studies, (October)

Featured Author of the Month, Casa da Saudade Branch Library, New Bedford Free Public Library, New Bedford, MA (October)

My poem, “Wanting,” reprinted in Poetry is Bread: The Anthology, edited by Tina Cane, published by Nirala Press, India (October)

“Massachusetts Voter Endorses Ballot Measure #4,” (Op-Ed), Lucid News (November)

“Letter to America: The psychedelic renaissance,” (essay), Terrain.org (November)

“The Power of Listening: Forrest Gander’s Poetry of Memory and Place,” (profile), Berkshire Magazine (November)

“A Massachusetts Voter Reflects on the Failure of Psychedelics Ballot Question 4,” (Op-Ed), Lucid News (December)

“First Impressions of the Açores,” (essay), Gávea-Brown: A Bilingual Journal of Portuguese-North American Letters and Studies (December)

A productive year, indeed—hoping to keep it alive in 2025!

—SEA

Beverley at hydrotherapy for her torn CCL.

This question came to me from Alden Beane, my dog Beverley’s hydrotherapist, and it’s a great one because it got me thinking. (Beverley tore her canine cruciate ligament this past summer and has been swimming with Alden at True Balance Animal Wellness to try to bring back her strength. It’s working!)

While the first answer that sprang to mind is, “The next one I write,” I also think that’s sometimes true, but not always. (The piece I just delivered for the Spring 2024 issue of Berkshire Magazine fits that bill, but more on that later.)

I’m assuming she meant prose, so I’ll stick with that for now (perhaps I’ll do a poetry post another time). A few of my recently published pieces come to mind, as do a few older ones that I use as writing samples when I’m either pitching new pieces or want to share examples with students I’ve mentored. So here, in no particular order, are my favorite pieces of my own writing (so far) prose edition:

“Love & Patience on Mt. Pico” — Published in The Write Launch, this is a very recent essay about an ill-fated attempt to climb Mt. Pico, the tallest peak in Portugal, in the Azores. I owe a big shout-out to Suzanne Roberts for this one, for I started writing it in a travel writing workshop she led in 2020. (Also a big shout-out to my wife Samantha for being the foil in this one and my first reader as well.)

“Birds in the Hand: The Berkshire Bird Observatory’s Impassioned Ben Nickley” — Published last summer in Berkshire Magazine, this was the first profile I did for the magazine and it was also the return to subject matter that means a lot to me–birds and nature. It got me out in the field again with a passionate scientist, which is something I used to do a lot of when I worked for The Nature Conservancy years ago. Thanks to my editor Anastasia Stanmeyer for the assignment!

“Hallelujah! I’m no Genius” — Published in the Schuylkill Valley Journal online, this was one of my first forays into memoir–and I owe the journal’s editor Mark Danowsky a big thanks for doing me the solid of writing to me: “I’ve been thinking about [Malcolm Gladwell’s podcast] Revisionist History’s Hallelujah. (Incredibly good.)…. Do you think you can write about how this construct (Picasso v. Cezanne) applies to approaches to poetic craft?” And then, when that wasn’t exactly what I delivered, for being delighted with the result! (A truncated version of this essay appears as a chapter in my book, Falling Up: A Memoir of Second Chances; if there’s ever a second edition of that book, I want to restore some of what was edited out.)

“Açorianidade and the Radiance of Sensibility” — Published in Barzakh Magazine, this essay from my memoir-in-essays/work-in-progress, The Others in Me, is a deeply personal take on my journey of (re)discovering or uncovering my roots on the Azores and the mixed emotions and complex feelings that surround such a late-in-life discovery. A shout-out to my fellow 2018 Disquiet Azores Retreat attendee, Christy O’Callaghan, for being intrigued enough to publish it in her last issue as editor-in-chief of Barzakh.

“Poetry as Practice: How Paying Attention Helps Us Improve Our Writing in the Age of Distraction” — Grant Clauser, in addition to being a fine poet, edited the craft section of Cleaver Magazine and I wrote to him about this idea before it was finished. While I “knew” what I wanted to write, I struggled with its direction. Grant’s guidance–especially regarding minimizing the quotes and emphasizing my own voice, among other things, greatly improved this piece and proves the old adage that every writer needs an editor.

“Looking Out, Looking In: Gary Snyder and Sourdough Mountain Lookout” — On the tail end of my “Hallelujah!” essay, Schuylkill Valley Journal‘s Mark Danowsky pitched another idea to me. He knew I’d studied with Gary Snyder and he was “wondering if you have insight into his poem Mid-August at Sourdough Mountain Lookout.’ It’s a poem I’ve returned to again and again and I’ve never been able to explain why I think it’s so good (even to myself).” Well, it turns out I did…

Finally, two lectures that I turned into essays need be included in such a list: First, a craft talk called “Making Poems Better: The Process of Revision,” which was originally delivered at the University of Alaska Anchorage for its Writing Rendezvous conference in 1998. Then, in 2018, I updated the lecture and presented a 20th Anniversary edition of the talk at the Boston Book Festival. In that lecture, I discuss the revision process and examine in detail Donald Hall’s “Ox-Cart Man” and my own poem, “Black Angus, Winter.”

Second, the more recent “At Home in the World: A Reading and Reflection on Dwelling, Nature, Phenomenology, and Ecopoetry,” which was originally delivered at the Providence College Humanities Forum in September 2021. Professor Ryan Shea taught a course in environmental philosophy and included my book, Dwelling: an ecopoem, on his syllabus. I spent a week with him and his students discussing my book, which was an amazing experience, especially given the fact that I was born in a hospital just a three-minute drive from the college. Who says you can’t go home again? The lecture was later published as an essay in Brown University’s Gávea-Brown: A Bilingual Journal of Portuguese-North American Letters and Studies.

Thanks to Alden for a great question–and for helping Beverley to heal!

“Steve Jobs is dead,” I said.

So begins my new book, Falling Up: A Memoir of Second Chances, which drops today from Homebound Publications as part of their Little Bound Book Essay Series.

When I spoke those words, I was speaking to an audience at the SXSW Eco festival on the morning of 5 October 2011. Jobs had just died and many in the crowd had not heard the news. He was fifty six.

Fifty-six,” I write in the book. “As I stood on the stage that October morning in 2011, a couple of years shy of fifty myself, I couldn’t help thinking–as perhaps many in the room were thinking, too, in the wake of the example of Jobs–what have I done with my life?”

(You can read more from the opening of the book here.)

Falling Up, my most personal book to date, tells the story of several “second chances” I’ve had in my life, starting with a fall at Letchworth Gorge as a teenager in upstate New York through my most recent change of life, leaving EY after my job was eliminated despite the successful launch of a global technology-as-a-service solution that I led.

Along the way, I explore my original second chance in the wake of that fall in the gorge, my pursuit of art and writing throughout my life, learning to experience nature through the eyes of my children, as well as the story of several entrepreneurial endeavors–successes and failures–and, finally, how I found real and lasting love late in life and learned to embrace it.

Falling Up is about the struggle to become authentic, vulnerable, purpose-driven man in the 21st century and, ultimately, about making one’s dream a reality.

Mark Tercek, the former CEO of The Nature Conservancy–an organization for which I worked over fifteen years and that serves as part of the backdrop for several stories in the memoir–called the book, “An inspiring read for anyone seeking meaning in their work or in their life.”

I hope my little book–only 84 pages and around 10,000 words–lives up to the promise of that advance support and that it helps readers find a way to “fall up” in their own lives.

You can order the book directly from my publisher, Homebound Publications, or through Amazon, and wherever books are sold.

And if you do, please let me know what you think of Falling Up.